我將藍曬工藝結合金屬板材，嘗試建構一種會隨時間持續氧化、變化的影像載體。透過金屬表面的氧化反應，影像不再被固定於單一狀態，而是伴隨時間生成不同層次的質地、色澤與痕跡，使時間本身成為作品的一部分，也重新回應攝影作為「時間切片」的本質命題。
The Oxidizing Body series emerges from an ongoing investigation into the material nature of photography. In an era where digital images have gradually replaced physical photographs, the visible traces of time, such as fading and yellowing, have become increasingly absent from contemporary image culture. This work reflects on the contemporary pursuit of permanence in images, as well as the sense of temporal detachment embedded within digital media.
By combining the cyanotype process with metal plates, I attempt to construct an image surface that continues to oxidize and transform over time. Through the chemical reactions occurring on the metal surface, the image is no longer fixed in a singular state, but instead evolves alongside time, producing shifting layers of texture, color, and residue. In this way, time itself becomes embedded within the work, re-engaging photography with its fundamental condition as a medium intrinsically tied to time.
